Saturday, February 5, 2011

On First Edition Books

Cover of book and dust jacket from German edit...Image via Wikipedia
Though today is definitely the computer age, there are still some “old fashioned” ways to gain information and entertainment. Books are an institution—one that will not be falling to the wayside anytime soon. If you love books, you can do more than just read them—you can make a hobby out of collecting them.

Books are printed in three primary formats: hard back, paper back and trade copy. Hardback books are generally more expensive than the others, often because of the cost of binding. Paperbacks cost usually a third of what the hardback version costs. Trade copies are an animal unto themselves. Trade copies are paperbacks that are distributed to people in the writing world, generally before the actual book is published. Paperbacks are fine, if you just want to read the book. Hard back and trade copybooks are where the game begins, and if you are incredibly lucky, where the money is. This is where we will focus our attention, for purposes of this article.

There is a certain cache to having a first edition of a prized writing. The first edition of a book, in general, is printed and bound in hard back, with a book jacket covered with art (often from a notable artist). Having said that, however, there are times when first editions, particularly of new writers, are printed in paperback, so this is not a hard and fast rule. But, generally, hard backed books are the primary targets of collectors.

Why, you ask, does this matter? To collectors, this means everything! People sometimes pay exorbitant amounts of money for a first edition hard back of a book they love, or for a book penned by an author they love. People fill bookcases in their homes and offices with these beloved writings. Collecting books, like so many other things, is a game of acquisition. The good news about collecting these often expensive writings is you can actually use them for their intended purpose! They do not need to sit on the shelf merely collecting dust.

There are many sources that are useful in locating these little gems. Depending on what genre you are interested in collecting, you can start as easily as picking up a favorite author’s latest book at your local bookstore. Other places to look for books for your collection are: yard sales, book shows, used bookstores, and online sites that sell books.

How do you know if your book is a first edition?

This gets a bit complicated. Different publishers use different markings to identify what edition a book is. What you need to do is open the book to the front few pages, where the information about the publisher is located. Look for a set of numbers, i.e., 1 2 3 4 5 6 7 8 9 0. Either above or below these numbers might be the words “First Edition” all by itself or with a month and year. If this is a new book, all you really need to do is verify higher on the same page that the first printing was in the same month and year, and with that combo you are in pretty good shape. On older books, you can do the same comparison, or you can look at the numbers. Some publishers have the 1 listed first and that means it’s the first printing. Others have a zero in front, and that means it’s the first printing. It is important to do a little research into the practices of the publisher your author(s) of choice use, as this will help a great deal in finding true first editions. The research aspect is part of what makes collecting fun. Once you have a good grasp on what certain publishing companies do to mark their books, you can start looking for treasures in unlikely places—garage and estate sales, auctions, used book stores that do not specialize in hard-to-find books and discount book sellers.

So, you have decided you wish to collect all of the works of your favorite author. You have studied up a little on the publishing company he/she generally goes through, and you are armed and ready to start building your collection.

Some things to look for in a good purchase:

The real estate market has their own mantra: “location, location, location!” Book collectors have their own mantra: “condition, condition, condition!” Once you have identified a book that you want, there are a few things to check before purchase, as these items can considerably affect the value of that book you are holding.

First of all, check the book jacket. Some booksellers will encase the book jacket in a Brodart or similar product that protects the jacket from dust and tears. The book jacket should be complete, untorn, and unwrinkled. Make sure the jacket belongs with the book; just compare the titles. Sometimes, jackets will be changed in later printings, and that new jacket could end up on your first edition book—where it does not belong. Just do your research in advance, and you will learn to detect these things.

Secondly, and more importantly, check the binding of the book and the condition of the content. The binding should be tight—meaning none of the pages should be loose or coming free from the binding. The pages should be unbent and uncreased (this is why some people get so upset over people folding over a page to hold their place in a book—those creases never truly go away), and none of the pages should be written on. This last item makes collecting children’s books a challenge because so many kids doodle in their books.

Finally, check the book for signatures. It is entirely possible to obtain a first edition of a book that has been signed by the author. The more valuable signatures are the ones that are generic; meaning they are not “to” anyone. Those resell better, because someone named Bob does not necessarily want to proudly display a note in their book from the author that says “Best of luck, Jim!” This brings me to another thing. Book signings, while somewhat less common than they used to be, are still there. Often, you can take your books to a book signing and the author will sign a certain number of them for you! This instantly raises the value of your book, and isn’t a bad idea if you are a serious collector.

The value of these books is what the market will bear, and can increase and decrease drastically for any number of reasons. A small percentage of people actually make money off collecting books, but the majority of collectors are in it for the thrill of the chase, and pride of ownership. Just decide where you want to be on the collecting ladder.
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Friday, February 4, 2011

Bauman's Rare Books

100 Great Books and Autographs

Voltaire once wrote, “It is with books as it is with men—a very small number play a great part.” In this catalogue, we celebrate some of that very small number. Taken together, they form a spectacular rare book collection, these individual landmarks of the human imagination.

Selected items follow below. For more information about these works or to see a complete listing, call us at 888-819-0748 or:






Featured Item
“Incomparably The Most Important Work In The English Language”
SHAKESPEARE. Mr. William Shakespeare’s Comedies, Histories, and Tragedies.London, 1632. Folio (measures 9 by 12-1/2 inches), early 20th-century full red crushed levant morocco gilt; custom clamshell box. $398,000.

The extraordinarily rare 1632 Second Folio of Shakespeare’s plays, with engraved title page portrait of Shakespeare by Droeshout. A complete and lovely first-issue copy, very handsomely bound in full morocco-gilt by Riviere & Son. It is believed there are fewer than 200 copies, many of which are incomplete or defective. This edition contains the first appearance of John Milton in print.

The four folios of Shakespeare are the first four editions of Shakespeare’s collected plays. These were the only collected editions printed in the 17th century (a 1619 attempt at a collected edition in quarto form was never completed). The Second Folio, like the First Folio of 1623, contains 36 plays, all the plays that are considered to be wholly or in part by Shakespeare (with the exception of Pericles, which was added to the Third Folio edition of 1663). “The folios are incomparably the most important work in the English language” (W.A. Jackson, Pforzheimer Catalogue). The folios of Shakespeare, because of their incalculable impact on the language, thought and literature of our world, are the most desirable of all English language books, the prize of any collection.

From the Catalogue

“The Most Famous And Influential American Political Work”

HAMILTON, Alexander; MADISON, James; JAY, John. Federalist. New York, 1788.Two volumes bound in one. First edition of The Federalist, one of the rarest and most significant books in American political history, which “exerted a powerful influence in procuring the adoption of the Federal Constitution.” An exceptional copy in full contemporary sheep. $260,000.
 


“No Equal In American Literature”

MELVILLE, Herman. Moby Dick; or, The Whale. New York and London, 1851. First American edition, in scarce lovely unrestored original cloth, of Melville’s rare classic.$62,000.
 


Extraordinary Large Folio Hand-Colored Portraits Of Native Americans

MCKENNEY, Thomas and HALL, James. History of the Indian Tribes of North America. Philadelphia, 1838-44. Three volumes. The rare, monumental first folio edition of one of the landmarks of American history, an excellent copy complete with 120 bright and fully hand-colored lithographic plates after Charles Bird King’s original oil paintings.$175,000.
 


“All Men Hate The Wretched; How Then, Must I Be Hated, Who Am Miserable Beyond All Living Things!”

SHELLEY, Mary Wollstonecraft. Frankenstein. London, 1818. Three volumes. Exceedingly rare first edition of Mary Shelley’s horror masterpiece, handsomely bound.$168,000.
 


The Cornerstone Of American Exploration

LEWIS, Meriwether and CLARK, William. History of the Expedition Under the Command. Philadelphia, 1814. Two volumes. Exceptionally rare first edition, one of only 1417 copies printed, of the definitive account of the most important exploration of the North American continent, with the famous large folding map of the course of the expedition and five in-text maps. $225,000.
 


One Of The Greatest Illustrated Books Ever Published

SCHEDEL, Hartmann. Liber Chronicarum. Nuremberg, 12 July 1493. First edition of the extraordinary “Nuremberg Chronicle,” the most profusely illustrated book of the 15th century, featuring the first modern map of Europe, Ptolemy’s map of the world, and 1809 splendid woodcuts, including work by a young apprentice Albrecht Dürer. Table of contents with large letters beautifully colored in red and blue and first letter of text with large, beautiful 14-line illuminated initial in blue, red, green and gilt. Bound in splendid signed binding by the noted Spanish binder Brugalla. $178,000.
 


About Us

Founded over 30 years ago by David and Natalie Bauman, Bauman Rare Books offers an extraordinary selection of fine books and autographs ranging from the 15th through the 20th centuries. With a reputation for meticulous research, an exceptional inventory, and an expert staff, Bauman Rare Books offers an extensive range of client services. We have built some of the finest collections in the country and we offer expert gift services to both individuals and corporations. Whatever your interests—milestones of American history, literary classics, landmarks in science and medicine, beloved children’s books—you are certain to find the right book at Bauman Rare Books.

Please visit our New York or Las Vegas galleries or our main office in Philadelphia. Our expert staff will be happy to discuss your interests and answer your questions.

New York gallery: 535 Madison Avenue, between 54th and 55th Streets, Monday-Saturday, 10-6.
Las Vegas gallery: The Shoppes at the Palazzo, Suite 2856, open daily, 10-11.
Philadelphia office: 1608 Walnut Street, 19th Floor, Monday-Friday, 9- 5.
1-800-99-BAUMAN www.baumanrarebooks.com

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Sunday, January 30, 2011

The Typewriter: 7 Tips for Collecting Vintage Writing Machines

Underwood TypewriterImage via Wikipedia
The familiar sounds of pecking away at the keys of your manual typewriter are indigenous to the way typing used to be. Waiting on the infamous sound of that "ding," you knew the end of your right margin was near. As you move the silver lever and coax a carriage return, your new line appears to begin typing once again.
Two basic categories that all writing machines can be placed in is either "keyboard" or "index." The keyboard category is when a keyboard is used to select the character you want and the key is depressed to print the character. An index typewriter has a chart on which all the characters appear using a pointer or wheel to select the desired character. Manipulation using another lever or mechanism prints the character.




It takes time and patience to extensively research and learn about collecting typewriters. There are hundreds of typewriter brands and thousands of models. Here are seven things to contemplate when searching to begin collecting vintage typewriters:

1. Rarity: Consider the make, model, year, use of materials and any other unique facets that create a rare vintage collectible.
2. Condition: Most vintage pieces will probably need some type of restoration. Investigate your potential collectible to estimate the amount of repair work needed and filter in estimated costs that would get it back in satisfactory working condition.
3. Type of mechanism: The operational makeup of the typewriter.
4. Exquisiteness of the design: The beauty of the typewriter. This includes style and other decorative elements like bronze and floral accents or mother of pearl inlays.
5. Personal affection of the piece: What draws you to a particular vintage model that makes you desire to buy it.
6. Join a collectors association: Search to see if there are any local clubs or organizations in your area. You may find that typewriter manufacturing companies could give you some leads on your inquiry.
7. Contact other collectors: You can check out some online collector's websites for information on buying or selling vintage typewriters.

There are relatively few collectors, so you will find that the prices on early typewriters are not fixed. Vintage typewriters may turn up at antique shows, flea markets, attics, garage sales, thrift stores or dilapidated shops carrying second-hand goods. It's a rarity that you will find vintage typewriters in elegant antique shops.

Early typewriters focused on visible distinctions and principal mechanics. Improvements were made in basic design elements, such as the system of linkages from the key to the type. Features maintained "type" alignment. Of course newer designs operated on fewer parts than earlier writing machines. These features made typing faster and easier. Amazingly, typewriters became quieter and more reliable. As typewriters evolved, inventors and manufacturers continued to develop the ultimate writing machine. Although vintage typewriters are not a popular collector's item, they are beginning to gain global attention from writing and engineering enthusiasts, historians and many people interested in collecting rare pieces of writing machine history.

Kym Gordon Moore is a member of the North Carolina Writer’s Network with over twenty six years of corporate and personal writing experience. As a public relations strategist for budget conscious new authors, she coordinates creative marketing packages for her clients. Many of her articles, essays, short stories and poems appeared in a variety of magazines, newspapers, ezines and anthologies. http://www.kymgmoore.com


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Saturday, January 29, 2011

Many Fine Examples of Antique Bookcases

When looking for antique bookcases, domestic pieces will generally date from as far back as 1700 when case furniture began to be produced in serious quantity. Bookcases of course can be traced back as far as the late 16th century and there are some very fine examples at Oxford University's Bodleian Library. Early examples of bookcases were usually made of oak, and tended to be plain rather than decorative. Very early books would be laid flat on the shelves, and it was only with the advent of the print industry that spines and titles would be displayed outwards.

A walnut bureau bookcase from the time of Queen Anne (1702-14) is a very fine example of an early antique bookcase. Pieces like this formed part of a revolution in furniture making in Britain, with the arrival of Huguenot craftsmen expelled from France at the end of the 17th century and these new forms of manufacture remained throughout the 18th century. The bureau bookcase was an encased set of shelves set upon a bureau or writing desk. The desk had a fold down flap with sets of drawers arranged beneath. The cabinet placed on top to hold the books had two often mirror glazed doors which helped to encourage light. These cabinets were often pedimented on top to give an architectural quality to the piece.

As the 18th century progressed, varying types of antique bookcase evolved. Much larger architectural pieces were being made for libraries and the smaller compact bureau bookcase for the drawing room. Walnut had now become very scarce and mahogany was being imported as its replacement. The bookcase was not only made to showcase books but also to showcase the art of the cabinet maker and many fine examples remain from the time of George III onwards. Door fronts were generally glazed within astragal mouldings and beading and these ornamental glazed doors could range from fairly plain to very elaborate.

One of the most impressive bookcases is the breakfront. These are large architectural pieces with broken pediments and moulded cornices, usually made from mahogany. They can be fully or half glazed with cupboards rather than bureaux underneath, usually with three or four sets of shelves, with the central set pushed forward or breaking the front of the piece.

Towards the end of the 18th century, designer decorators like Robert Adam incorporated furniture like the secretaire cabinet and secretaire bookcase into their general house design. The much lighter satinwood had become popular during this later period and Adam employed craftsmen and artists to decorate furniture with marquetry inlay or painted neoclassical motifs and garlands of flowers. Some pieces were very bright and colourful indeed.

Much Queen Anne, Georgian and Neoclassical furniture from the 18th century was revived during the Victorian era so there remains a good choice of well made, large and more compact antique bookcases in a variety of guises to choose from. These are very imposing pieces of furniture and make excellent investments for the budding antique collector, or for the general investor.

The author, Christian Davies, is a second generation antiques dealer and owner of Christian Davies Antiques, a family based antiques business based in Preston, Lancashire.
Christian has over 23 years experience in the antiques business and has a passion for genuine, high quality antiques furniture, such as antique bookcases, which he sources from the UK and Europe.

Article Source: http://EzineArticles.com/?expert=Christian_Raven_Davies
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A Brief History of Early Fine Ink Pens

fountain pen.JPGImage by Bright Meadow via Flickr
If you have ever sat down to write an old fashioned letter, address formal envelopes or write a speech, you probably have an appreciation of the artistic qualities of fine pens. Fine writing pens offer an authentic, nostalgic communication experience that typing or emailing simply cannot. It has been said that when people express their thoughts with fine ink pens as opposed to other forms of writing, they invoke a more emotional response from their reader. This is because unlike fine pens, online and typed messages lack the essence of the writer's personality.

The first fine pens were made with mass produced pen points that were stamped out of sheet metal and molded into various shapes to suit different styles of writing. To use, writers selected a pen point, fitted it onto a holder, dipped the tip in ink and began writing. Although innovations to the design of the instrument began in the latter part of the 19th century, this remained a popular format for fine writing pens until as late as the 1950s.

In an effort to eliminate the need to carry around an ink well and continuously dip the pen point, a portable fine pen that could carry its own refillable ink supply became necessary. Thus the fountain pen was born. A fine pen that featured a three channel feed was developed in the 1870s by L.E. Waterman. This design allowed for a smooth, controlled flow of ink via a pumping action, wherein the pen point snapped back and forth from an interior ink sac.

The next generation of fine pens used what is known as the self-filling system. They were also referred to as "eyedropper" pens because in order to fill them, users had to unscrew them and pour the ink supply in through a long dropper. Unfortunately, the fit between the cap and the barrel was not always secure and leaking was a common side effect. Therefore a model was invented in which the point was retracted into the barrel with a twisting motion, similar to a tube of lipstick. Theses were called safety pens.

Other variations on self-filling fine pens debuted throughout the years, including the blow filler, the sleeve filler, the button filler, the level filler, the pneumatic filler, the piston filler and the plunger filler. These represented the standard in fine writing pens until the invention of the cartridge pen in the 1930s, which is similar to the pens that are most commonly used today. They contained a glass ink cartridge (now made of plastic) that was intended to be disposable rather than refillable.

Early fine pens offer a glimpse into our communication history and as such have become a popular collectors' hobby. If you interested in learning more about fine pens, online retailers can offer a wealth of knowledge as well as unique items to start your collection.

Wayne Hemrick writes about - fine pens.

Article Source: http://EzineArticles.com/?expert=Wayne_Hemrick
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